自西方油画输入中国以来,将写意性的中国艺术传统融入到油画艺术语言中,一直是中国艺术家致力的一条艺术道路。晚清,邹一桂在《小山画谱》中评价“泰西画法”:“笔法全无,虽工亦匠,故不入画品”。邹一桂的评价标准即来自明清时期文人写意画的审美趣 Since the introduction of Western oil paintings into China, integrating the traditional Chinese art tradition into the language of oil painting has always been an art road dedicated by Chinese artists. In the late Qing Dynasty, Zou Yigui in the “Hill Painting” in the evaluation of “Tayi painting ”: “No strokes, although the workers also smith, it is not into the painting ”. Zou Yi-kui’s evaluation criteria come from the aesthetic interest of the literati in the Ming and Qing Dynasties