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杨克曾被誉为“第三代实力派诗人”和“民间立场”的代表,自1980年开始写诗以来,他始终保持着旺盛的创作力,给诗坛贡献不少好诗。但迄今为止,学界只是在“城市意象诗”“物质哲学”或“民间立场”等概念下对其诗歌进行言说,这种散点透视难以发现杨克诗歌一贯的特色和价值,也难以为其在当代诗歌脉络中找到一个准确的位置。在笔者看来,杨克三十多年的诗歌创作始终有一个主旋律,即始终关注
Yang Ke has been hailed as the representative of the “third generation of power poets” and “folk standpoint”. Since he started writing poetry in 1980, he has always maintained a strong creative power and contributed a lot of good poems to the poetic world. So far, however, the academic circles have just talked about their poems under the concepts of “urban imagery”, “material philosophy” or “folk standpoint”. Such a scattered perspective makes it hard to find the consistent features of Yanke’s poems Value, it is difficult for them to find an accurate position in contemporary poetry context. In my opinion, Yan Ke thirty years of poetry has always had a theme, that is always concerned about