论文部分内容阅读
文章通过对曹禺解放后创作的分析,结合特定的历史时期政治话语对文艺的特殊要求,试图从创作心态的角度来探究在现代文学史上有着辉煌成就的曹禺到了当代其创作就大为逊色的原因。作者认为原因主要有三:创作个性的偏于感性直觉;源于时代大环境的作家自信心的丧失;感恩图报意识、强权崇拜意识及政治迷信。“曹禺现象”并不是个例,它具有普遍意义。
Through the analysis of the creation of Cao Yu after the liberation, combined with the special requirements of literature and art in the political discourse of a specific historical period, the article attempts to explore the reason that Cao Yu, who had a brilliant achievement in the history of modern literature, is greatly inferior in contemporary creation from the perspective of creative psychology . The author thinks there are three main reasons: the perceptual intuition of creation personality; the loss of writer’s self-confidence from the environment of times; the awareness of gratitude, the awareness of power worship and the political superstition. “Cao Yu phenomenon” is not a case, it has universal significance.