艾青一生对“土地”和“母亲”这两个符号有着刻骨铭心的敬意。作为他早期诗歌中被反复歌咏的母题,它们是艾青对世界的感性领会和理性升华,代表了他从“弃儿”到诗人的跳跃。本文力图在生活的艾青和诗中的艾青的切合之处探讨这两个符号对于艾青个人诗学的多重意义,尤其是母亲“缺席”与回乡之旅所产生的自我认同的忧疑和为他人写作的焦虑。 Ai Qing’s life has unforgettable respect to the two symbols of “land” and “mother”. As the motif of his early poems being repeatedly sung, they are Ai Qing’s sensual comprehension and rational distillation of the world, representing his leap from “Abandonment ” to the poet. This article attempts to explore the multiple meanings of these two symbols to Ai Qing’s personal poetics in the context of Ai Qing’s life and poem Ai Qing’s poems, especially the self-identification doubts arising from the mother’s absence and return journey And writing anxiety for others.