“始于立意而归乎用笔”,中国画论辩证地阐明了这一从审美意识出发,而落实于一定的物质材料表现的技艺之美。实现作品内容的转化过程,对物质材料的征服和利用是艺术向前发展并具有创造性的标志。开掘艺术表现形式的新的领域,创造出具有新意的艺术作品,这就需要在形式,技艺诸方面不断地求索、开拓。 “It starts with the conception and falls in line with the pen.” Chinese painting dialectically expounds the beauty of this art, starting from aesthetic consciousness and fulfilling certain material material performance. The process of transforming the content of the works and the conquest and utilization of the material materials are signs of the development of art and its creativeness. Digging new fields of artistic expression and creating new works of art requires constant exploration and exploration in terms of form and technique.