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在当代钢琴演奏解释学“音响创造”的路径中,动态音响结构的演奏是以三种不同语境的一体化形式呈现的。笔者对此三种语境:“语言符号-形态语境”“音乐审美-情感语境”和“社会文化-时空语境”进行了分析论述,并进一步阐述了钢琴演奏中三种语境的意义及融合之实践理论。同时,结合当代世界钢琴演奏名家对巴赫《哥德堡变奏曲:主题》的录音逆向分析解读,以说明钢琴演奏解释学“音响创造”路径在演奏中的具体实现过程以及敞开性多重语境融合的钢琴演奏解释之价值。
In the path of contemporary piano performance hermeneutics “Sound Creation ”, the dynamic sound structure is presented in an integrated form of three different contexts. The author analyzes and expounds the three contexts: “language sign - morphological context” “music aesthetic - emotional context” and “social culture - temporal context”, and further elaborates on piano performance The Significance of the Three Contexts and the Practical Theory of Fusion. At the same time, with the contemporary world piano virtuoso interpretation of Bach “Göteborg Variations: Theme” recording reverse analysis to illustrate the piano performance hermeneutics “sound creation ” path in the performance of the specific realization process and open multi-context fusion Piano interpretation of the value of interpretation.