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经历了台湾歌仔戏的形成、流传与发 展三个时期,是第一批跨越海峡把歌仔戏 带到厦门的演员。一生都在闽南传艺授艺, 培养了许多歌仔戏演员,为歌仔戏在闽南 的传播,做出了杰出的贡献。20世纪50年 代在整理传统剧目中,她口述了大量的传 统剧目,其中如《火烧楼》、 《三家福》、 《山伯英台》、 《恶婆婆》等剧目,成为歌 仔戏优秀的保留剧目。50年代末,厦门开 办艺术学校,她全心投入到培养歌仔戏年 青演员之中。晚年,她回述的歌仔戏历史 资料,成为海峡两岸不可多得的文化遗产。 她就是享誉海峡两岸的台湾歌仔戏演员赛 月金。
Experienced the formation, spread and development of Taiwan’s Taiwanese opera, it was one of the first actors to bring Taiwanese opera to Xiamen across the Taiwan Straits. All his life was taught art in Minnan, and many opera singers were trained to make outstanding contributions to the dissemination of Taiwanese opera in southern Fujian. During the reorganization of the traditional repertoire in the 1950s, she dulled a large number of traditional repertoire, including “Fire Burning House”, “San Fu”, “Shan Bo Ying Tai”, “Evil Mother” and other repertoire to become the outstanding reserved repertoire of Taiwanese opera . In the late 1950s, Xiamen opened an art school and devoted her entire life to cultivating young actors in Taiwanese opera. In her later years, she recalled the history of Taiwanese opera and became a rare cultural heritage on both sides of the Taiwan Strait. She is a Taiwanese opera singer in Taiwan on both sides of the Taiwan Strait.