中国的文学里很早就有了散文的踪迹,如欧阳修的《醉翁亭记》,范仲淹的《岳阳楼记》等。到了近代,中国更是涌现出一大批散文家。如朱自清,杨朔,艾青等,他们的作品,有的清新隽秀,有的深厚凝重。这对于后来的散文,在风格上影响甚远。“形散而神不散”要求有一个宗旨,即文笔一定要优美,文章一定要流畅。而风格各异,加之有的散文很精悍,寥寥几语,尽述心事,与现代诗歌相得益彰,有的散文很凝铸,洋洋洒洒,阐述心情,作者富有深意,要结合题目去理解,才 Chinese literature has very long traces of prose, such as Ouyang Xiu’s “Drunkard Pavilion”, Fan Zhongyan’s “Yueyang Tower” and so on. In modern times, a large number of essayists emerged in China. Such as Zhu Ziqing, Yang Shuo, Ai Qing, etc., their works, some fresh Junxiu, and some deep and dignified. This later prose, far-reaching style. “Shape and scattered without exception” requires a purpose, that is, writing must be beautiful, the article must be smooth. And different styles, together with some essays are lean, few words, do my best, and modern poetry complement each other, some essays are cast, eloquent, elaborate mood, the author profound meaning, to combine the problem to understand, only