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20世纪90年代,周蕾《妇女与中国现代性》一书的出版引起了文学界对于文学批评方式转变的思考,书中运用了电影视觉影像、文学历史、叙事结构以及情感接受四种理论方式对现代中国文学进行了较为全面的解读,是将西方新理论与中国文学批评结合较为重要的典例。本文则从电影视觉影像理论与文学批评关系的角度入手,分析周蕾在书中电影理论向文学批评的方式过程,从而获得对电影理论向文学渗透方面更为明晰的认识,找寻此种研究方法论的意义所在。
The publication of Zhou Lei’s “Women and Modernity of China” in the 1990s led to the literary thinking on the transformation of the way of literary criticism. The book uses four theoretical methods of film visual images, literary history, narrative structure and emotional acceptance A more comprehensive interpretation of modern Chinese literature is an important example of integrating new Western theories with Chinese literary criticism. This article starts with the perspective of the relationship between the theory of film visual images and literary criticism and analyzes the process of Zhou Lei’s criticism of the film theory in the book so as to obtain a clearer understanding of the theory of film from the perspective of literature and to find such a research methodology The significance of.