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本文是以矿工群体为线索,探讨中国矿工题材人物画在不同时代所呈现出来的面貌及其价值意义。关于矿工人物画的演进过程中,煤矿工人的生存环境、状态、精神与画家的情怀、态度、理想都具有其特殊性。建国初至文革期间,矿工人物画创作是以为社会主义服务为目的,以颂扬时代风貌为主题的精神产物。80年代以后,画家开始转向对矿工群众真实生存状态的描绘,突出地表现了矿工群体的艰苦生活与命运抗争。90年代以后直到至今,矿工题材的作品多是以日常生活的描绘为主,侧重情感的倾注与精神的探索。四是归纳与总结。
This article takes the group of miners as the clue to discuss the appearance and its value significance of Chinese miners’ theme figures in different times. With regard to the evolution of miners’ portrait painting, the living environment, state, spirit and painter’s attitude, attitude and ideal of miners have their own particularities. During the period from the founding of New China to the Cultural Revolution, the miner’s portrait painting was the spiritual product with the theme of praising the style of the times for the purpose of serving socialism. After the 1980s, the painters began to turn to depicting the true state of life of the miner masses, highlighting the militant group’s hard life and fate struggle. Since the 1990s, until now, most of the works of miners’ themes are mainly depictions of daily life, focusing on the exploration of the devotion and spirit of emotion. Fourth, sum up and summary.