当“写意”被定格为一种国画的创作手法时,“写意”的存在也就随着手法的轻重缓急而有了大、小之别。然而何者为“意”?是客体之神,还是主体之情?似与不似之间的“妙”字又是如何通过主客体的交会而产生的?如此问题,倘若一路追问下去,绝不是这篇小文所能言说的。故此我的“意”便是从“心”开始,它咚咚地跳在我的体内,但是,物亦有心,天地亦有心,无“心”天地无阴阳万物无生死。是故,吾之心又合天地万物之心,此一交合处,便是写意的起点。此一点恍兮惚兮如梦如幻,其所成者自 When “freehand brushwork” is fixed as a kind of Chinese painting technique, the existence of “freehand brushwork” also has big and small differences in accordance with the priorities of the methods. However, what is the “intention”? Is the object of the god, or the subject of love? Like and not like the “wonderful” word is how the subject and object of the rendezvous and the resulting? Such questions, if all the way to pursue, by no means This small article can be said. Therefore, my “intention” is from the “heart”, it pounding in my body, but things are also heart, heaven and earth are also heart, no “heart” Heaven and earth, there is no life and death without the yin and yang. Therefore, my heart and heaven and earth all the heart, this intersection, is the starting point of freehand. This little comedy come dreamsome, its from