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新时期十年,由上海开端、江苏后续,在江南一带掀起了一股滑稽戏热。一些优秀的剧目可以连演数百场:观众开心,剧团日子好过。这股热还冲进北京,笑星张克勤成为滑稽戏界第一个梅花奖获得者。如何解释这一艺术现象?其前景如何?就这两个问题,谈些粗浅的看法。滑稽戏是在近现代中国的文化土壤中生长起来的一种民族喜剧艺术,也是一种町以同戏曲、话剧、歌剧、芭蕾舞剧、哑剧等并列的独特的戏剧样式。它也是一个拥有若干剧团的独立的剧种。用不到争论滑稽戏的归属问题(应划归话剧抑或戏曲);它就是它自
Ten years in the new era, started from Shanghai and followed by Jiangsu, set off a comic drama in the Jiangnan area. Some excellent repertoire can even play hundreds of games: the audience happy, theater days better than. This heat also burst into Beijing, comedian Zhang Keqin became the first Plum Blossom Award winner. How to explain this art phenomenon? What is the future? On these two issues, to talk about some superficial views. It is a kind of national comedy art that grew up in the cultural soil of modern China. It is also a unique drama style that is similar to drama, drama, opera, ballet and pantomime. It is also an independent drama with several troupes. There is no question of attribution to the comic (should be assigned to drama or drama); it is it