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唐代辞赋踵武姬、汉，百体争开，创作题材，亦多新创，其中科技赋的大量出现，尤为特异。在唐人科技赋中，杨炯的《浑天赋》与卢肇的《海潮赋》最为代表。就赋学艺术而言，以杨、卢创作为代表的唐人科技赋价值取向与汉代京殿大赋相类，首先在宣扬宏大的文化气象，表现“体国经野，义尚光大”的大唐天声。杨、卢诸赋以文学笔法写科技论文，充分显示赋家的个人才学，此与赋表才学的文体特征相关，同时也得益于赋体文学博物知类的优势。而唐人科技赋之崛兴，又缘自文化传统的演进，并具体表现在“赋学之复兴”、“科技之发展”、“文化之兼容”与“文学之写实”四个方面
In the Tang Dynasty, the heir to Wu Ji, Han and Hundreds of Chinese have been vying with each other to create topics and create new subjects. Among them, a large number of scientific and technological funerals have emerged and are especially specific. In the science and technology of the Tang Dynasty, Yang Jiong’s “muddy talent” and Lu Zhao’s “tide Fu” most representative. As far as the art of Fu is concerned, the value orientation of science and technology in the Tang Dynasty, represented by Yang and Lu Chuang, is similar to that of the Han dynasty. In the first place, it advocates the grand cultural weather and displays the great Sound of Tang days. Yang and Lu Zhufu wrote scientific papers with literary style, fully demonstrating the personal talents of Fu family. This is related to the stylistic features of the Fu style, and also benefited from the advantages of the Fu literature class. However, the rise of the science and technology from the Tang dynasty also relies on the evolution of the cultural tradition and is embodied in the following four aspects: “rejuvenation of learning”, “development of science and technology”, “compatibility of cultures” and “literary realism”