长期以来,作为中国新文学诞生的界碑式、原典式的作品,《狂人日记》一直受到众多研究者的关注,被一再细读与阐释。在其长期的解读史中,众多研究者就其主题意蕴、人物形象以及艺术风格等方面做了丰富的探讨,多向度地挖掘了《狂人日记》的丰富内涵。近期,更有学者突破原有的研究范式,如王学谦先生的系列论文《〈狂人日记〉与鲁迅文学的生命结构》②将《狂人日记》视为鲁迅文学创作的原点,由此切人鲁迅整个文学创作的体验模式以及书写模式;而李今女士的《文本·历史与主题——〈狂人日记〉再细读》则创造性地辨别了潜含在小序中的三种声音, For a long time, as a landmark and original classic of the birth of Chinese new literature, Madman’s Diary has always been the concern of many researchers and has been read and interpreted repeatedly. In its long history of interpretation, many researchers have made rich discussions on the theme, figure and artistic style, and more, they have unearthed the rich connotation of Madman’s Diary. Recently, more scholars broke through the original research paradigm, such as Mr. Wang Xueqian’s series of essays, “The Madman Diary” and the Life Structure of Lu Xun Literature. “②” The Madman Diary “as the origin of Lu Xun’s literary creation, thus cut off the entire Lu Xun Literary experience mode and writing mode; and Ms. Li Jin’s ”text history and theme -“ diary of the madman ”read creatively distinguishes the three voices hidden in the small preface,