丢勒用素描和油彩画了一系列的自画像,这在伦勃朗之前的西洋美术史上是一件非常奇 特之举,丢勒对于自我价值的看重,从这幅精彩的自画像中更是清楚的表现出来有:具有成尼 斯风格的优雅装束及卷曲的长发、时髦的黑白相间的帽了,这位二十六岁的画家,正用冷静的 眼神看着观画者。 丢勒细心的描绘了面容和衣饰的细部,证明他有将眼睛所看到的世界加以再现的非凡才 气,也反映出他个人的信念“越是能够正确地将现实表现出来,作品就越显得精彩。”放在桌 子边缘的双手,则仿佛为了要强调那不是双劳动者的手,还特别戴上了手套,两手交替的握着。 在这幅充满自信的自画像上,丢勒表露了他所认定的自己在社会上的地位,也就是借此 述说了个出身于中世纪金匠家庭的儿子。跃升为文艺复兴的巨匠,同时也游历经验丰富、见 多识广,并且是一位“自由派”艺术家的自豪故事。 Dürer drew a series of self-portraits with sketches and oil paintings. This was a very peculiar move in the history of Western art before Rembrandt. Dürer’s value for self-worth was even clearer from this wonderful self-portrait. Shown are: with graceful style of elegant dress and curly hair, stylish black and white hat, the 26-year-old artist, is watching the viewer with a calm look. Dürer carefully described the details of his face and clothing and proved that he had the extraordinary talent to reproduce the world seen by his eyes, and also reflected his personal conviction that “the more it can correctly present reality, the more Looks wonderful.” Hands on the edge of the table, as if to emphasize that it is not the hands of the two laborers, but also in particular put on gloves, hands alternately holding. In this self-confident self-portrait, Dürer revealed his position in society that he identified as the son of a medieval goldsmith family. As a great Renaissance master, he also traveled with experience, knowledge, and a proud story of a “liberal” artist.