读韩东的《扎根》,感觉有话想说却不知从何说起。小说写得很散,但并没有空白。这倒不是说韩东把进入小说世界的东西都写满了,而是说他对生活之流平实的呈现没有任何可以停下来阐释的隐喻和象征空间。这和他对于诗歌的主张极其一致——让诗回到语言,不同的是,他让小说回到了叙事 Reading Han Dong’s “take root”, I feel like I did not know where to start. The novel is very scattered, but it is not empty. This does not mean that Han Dong has written over everything entering the world of fiction, but rather that he does not have any metaphorical and symbolic space that can be stopped and interpreted in a smooth and realistic way. This is very much in line with his claim to poetry - the poem back to language, the difference is that he let the novel back to the narrative