怎样认识二胡的触弦点 二胡演奏是演奏者与乐器结合表现音乐的。不论这一过程所涉及的范围多么广阔,具体问题多么密集,归根结底,演奏二胡就是要随时注意解决好两个接触点的问题,即按指与弦的接触点和弓毛与弦的接触点。简称触弦点,可谓二胡演奏的“两点论”。虽然这里所说的两个接触点,纯系人们常识范围内的事物现象,但其实质却被不少演奏者所忽视,或者说没有把它们摆到应有的高度来加以重视。“两点论”的提出,大体说来它可以概括中外弓弦乐器的根本特点。 How to recognize the touching point of the erhu erhu performance is the performer with musical instruments to show the music. No matter how broad the scope of the process is and how specific the problems are, in the final analysis, playing the erhu is to always pay attention to solving the problem of two contact points, that is, the contact point between the chord finger and the bow and chord. Referred to as the touch point, described as erhu playing “two points theory.” Although the two contact points referred to here are purely human phenomena within the scope of common sense, their essence has been neglected by many performers or they have not been given the attention they deserve. The proposal of “two-point theory” broadly summarizes the fundamental characteristics of Chinese and foreign bowed instruments.