艺术民族化思潮发端于上世纪初,基于西方文化进入我国后中西文化矛盾冲突与融合的特殊背景,文化艺术界人士提出了这一重要命题。当时的人们逐渐认识到,只有民族文化特色鲜明的艺术作品,才能更好地立足于世界艺术之林。为此,一批艺术先驱曾先后为之上下求索,在美术诸领域取得了许多成就。滑田友先生是在雕塑领域进行艺术民族化思考与实践的开拓者和主将之一,在雕塑民族化 The trend of artistic nationalization originated in the special background of the conflict and integration of Chinese and Western culture after the entry of western culture into our country in the beginning of the last century. People in the field of culture and art put forward this important proposition. At that time, people gradually came to realize that only works of art with distinctive national culture can better stand on the forefront of world art. To this end, a group of pioneers of art have successively sought for it and made many achievements in various fields of fine arts. One of the pioneers and masters of art nationalization thinking and practice in the field of sculptures,