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自“顿-提-顿”三段式的楷书用笔方式被确立,唐草由于直取篆隶笔意故未受唐楷影响。而至宋代,笔法传承的消逝、唐代楷法的盛行,楷书开始对草书产生深刻影响。尽管黄庭坚自称得篆隶古意,而古今学者对此皆有相左意见,本文通过将怀素和黄庭坚作品进行形式上的分析以探其究竟。对此问题的追问既为求真,更是对当代草书发展出路的探寻。
Since the “Dayton - mention - Dayton ” three-stage regular script with pen way was established, Tang grass because Zhizhi Zhuan pen meaning is not affected by Tang Kai. However, in the Song Dynasty, the disappearance of the brushwork and the prevalence of the Kai scripture in the Tang Dynasty began to exert a profound influence on the cursive script. Although Huang Tingjian claimed to be the ancient seal, and ancient and modern scholars have both disagreements, this article by Huai Su and Huang Tingjian’s work on the form of formal analysis to explore it. The questioning of this question is not only seeking truth from facts, but also exploring the way out for the development of contemporary cursive writing.