从《物语》中悬挂的女性衣裙，到《失语》中欲言又止似是而非的手势，再到《蝴蝶》中不确定的飞翔，林菁菁的作品始终隐含着某种旁若无人的身体意象。 身体，或女性身体、或手、或蝴蝶，自由移动或呼吸，这种客观的感性生命的存在及行为，对任何一种意识形态或社会精神无动于衷 From the dresses hanging in The Story of Monogatari to the unspoken gestures in Aphasia and the uncertain flying in Butterflies, Lin Jingjing’s works always imply some kind of unmanned body image. Body, or female body, or hand, or butterfly, freely moving or breathing, the existence and behavior of such objective and emotional life are indifferent to any kind of ideology or social spirit