莫言的小说颠覆了20世纪中国文学中的诸种“农村”形象,使得被抽空了意义而成为“主人能指”的“农村”更加复杂也更加真切,从而为当代小说的创作开辟出了新的领域。莫言小说中经常出现的生死与疾病场景是拓展现代中国“疗救”实践的一种尝试,是突破拯救过程中存在的物质与精神分裂状态的一种努力。《酒国》中体现出的独特意识值得深入挖掘。 Mo Yan’s novel subverts all kinds of “rural” images in Chinese literature of the 20th century, making the “rural area” which has been emptied of meaning as “masters” to be more complicated and more real, Creation opened up new areas. The scenes of life, death and illness often appearing in Mo Yan’s novels are an attempt to expand the practice of modern China and to break through the material and schizophrenic conditions existing in the process of salvation. The unique sense embodied in Wine Country deserves further digging.