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三场面调度是影视艺术叙事话语的重要方面。我们知道“场面调度”的概念是戏剧(或舞台)艺术首先运用的,后来被借鉴到影视艺术中。所以,影视艺术的场面调度结合了自己的特点,不但丰富了戏剧场面调度的内涵——演员的调度,而且创造出新的场面调查内涵——镜头调度;从而形成了具有自身特点的场面调度话调,构成叙事的重要手段。那么,什么是影视艺术的场面调度?影视艺术的场面调度,就是根据剧本所提供的内容,依据生恬真实的逻辑及人物的情感,通过演员及摄影机在一定的空间里调度,揭示生活面貌,表现人物情绪、情感,完成叙事的—种艺术语言。
Three scenes scheduling is an important aspect of the narrative discourse of film and television arts. We know that the concept of “scene scheduling” is first applied to the art of theater (or stage) and later to the art of film and television. Therefore, the film and television art scene scheduling combines its own characteristics, not only enriched the drama scene scheduling connotation - actors scheduling, but also to create a new scene survey connotation - the lens scheduling; thus formed its own characteristics of the scene scheduling words Tune, constitute an important means of narrative. So, what is the film and television art scene scheduling? Film and television art scene scheduling, is based on the content provided by the script, according to the real logic and character emotions, through actors and cameras in a certain space scheduling, revealing life, Emotional, emotional, narrative - a kind of artistic language.