作为“英国后现代小说的领军人物”,艾米斯使用了一些与众不同、别具一格的“后现代招式”。本文试图探讨艾米斯如何通过独家拥有的“颠倒”或“倒置”手法来玩弄颠覆性的后现代游戏。第一,通过“角色倒置”,艾米斯以戏谑与反讽的方式解构了性身份中的中心与边缘、自我与他者的二元对立关系;第二,通过“时间倒流”,他游戏式地颠覆了现代主义的时间观、意义观、审美观与道德观。 As a “leader in post-modern British novels,” Amis used some distinctive and distinctive “post-modern moves.” This article seeks to explore how Amis plays the disruptive post-modern game through an exclusive “upside down” or “upside down” approach. First, through the “role inversion”, Amis deconstructs the dualistic antagonism between the center and the edge, the ego and the other in the sexual identity in the form of banter and irony. Second, through “time backwards” Subverts modernism’s concept of time, meaning, aesthetics and morality.