一个半世纪以前,法国作家雨果曾经热烈地向往着,在一部戏剧作品中同时实现“真实”与“伟大”的结合,达到一种完美的艺术境界。他在一八三三年为自己的剧本《玛丽·都铎》写的序言中表述了这一美学理想。他说:“在舞台上,有两种办法激起群众的热情,即通过伟大和通过真实……”一个天才的剧作家所能攀登的最高峰就是达到伟大的东西和真实的东西水乳交融,真实之中有伟大,伟大之中有真实。雨果怀着激情这样写道:“通过真实充分地写出伟大,通过 A century and a half ago, the French writer Hugo once enthusiastically longs for the realization of a “real” and “great” combination in a dramatic work, achieving a perfect artistic realm. This aesthetic ideal was expressed in the preface he wrote in 1833 for his play “Mary Tudor.” He said: “There are two ways on the stage that arouse the enthusiasm of the masses, that is, through greatness and truth ...” The tallest peak a gifted playwright can climb is to achieve the blending of the great and the true, Among the great, there are real in the great. Hugo wrote passionately: "Write through the truth, and pass it