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银屏上长篇累牍的历史陈迹,矫柔造作的商海沉浮,在不知不觉中消磨着我们对现实处境本身的敏锐判断和自审能力。帝王将相的长吁短叹兼及英雄佳丽的爱怨情伤,钝化着我们直面人生的魄力和豪情。在这些点染着都市繁茂的花团锦簇背后,掩埋着我们日渐稀疏的祈求真实的冲动。我们渴望在银屏上展示生命与存在的本真状态,使我们能呼吸时代的空气,触摸它的身躯,承接无法逃避的使命。电视剧《“狗不吃”回村记》在这个意义上接近了我们内心的审美期待,该剧发挥了电视单本剧简明扼要的艺术魅力,集中冲突、展开矛盾、切入主题,在短短的90分钟,以当兵四年复员回乡青年“狗不吃”——一个回归者兼闯入者的视角作为叙事策略,为我们剥离出一段鲜活的农村现实生活的横截面:在这里,改革的大潮最多不过只剩下一
Long on the silver screen historical relics, emancipation of the ups and downs of the commercial sea, unconsciously in the consumption of our own situation in the real situation of the sharp judgments and self-examination ability. The emperor will be a long sigh and heroic beauty and love hurt, blunt us face the courage and pride of life. Behind these luxuriant gorgeous bouquets, these buried our impulse to pray for truth. We are eager to display on the silver screen the true state of life and existence, so that we can breathe the air of the times, touch its body, to undertake an inevitable mission. The drama “The Dogs Do not Eat” The Story of a Village "is in this sense close to our inner aesthetic expectation. It plays the concise and simple artistic charm of the TV series, concentrates the conflicts, expands the contradictions, cuts into the theme, In 90 minutes, taking a soldier’s four-year demobilization of young people returning to their hometowns as a narrative tactic from the perspective of a returnees and intruders, we peel off a section of vivid rural real life: Here, Up to the tide of reform but only one