白鹤梁题刻,位于重庆市涪陵城北江中,全长1600米,宽10至15米,自西向东延伸。在正常水位该石梁没入江中,遇到长江最枯水位时便露出江面。自唐代以来,历代文人和地方官吏们便在上面留下了众多的题刻书法作品。白鹤梁现存题刻174段,三万多字,其中尤以宋代题刻最多,有103段,这些题刻书体多样,篆、隶、楷、行皆备,时间跨度从北宋初年到南宋末年,在一定程度上反映了宋代书坛的多样面貌,可以了解宋代中下级知识分子的书法风格。目前著录书主要有清代陆增祥的《八琼室金石补正》,书中对题刻尺寸、释文多有记录,然未涉书法。本文试选择白鹤梁宋代题刻中具 White Crane Liang inscriptions, located in Fuling City, Chongqing Beijiang, a total length of 1600 meters, 10 to 15 meters wide, extending from west to east. At normal water level, the stone beam did not enter the river, and when it encountered the lowest water level of the Yangtze River, it was exposed. Since the Tang Dynasty, literati and local officials of various dynasties have left numerous inscription calligraphic works on them. Bai Luliang existing inscribed section 174, more than 30,000 words, of which the Song Dynasty inscriptions most especially, there are 103 paragraphs, these inscriptions are diverse, Zhuan, Li, Kai, Xing Jie, time span from the early Northern Song Dynasty to the Southern Song Dynasty , To a certain extent, reflect the diverse face of the Song Dynasty altar, you can understand the calligrapher style of middle and lower levels of intellectuals in Song Dynasty. At present, there are mainly Lu Zengxiang recorded in the Qing Dynasty “eight Qiong Room stone Correction”, the book on the inscription size, interpretation of many records, but did not involve calligraphy. This article try to select Baiheliang song inscriptions with