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明末清初,中国漆器产业重心由江南转移至福建地区,福州一跃而成中国漆器工业的中心。为什么会发生这种转移呢?一方面是明清漆器产业在品种、技法上趋于单一化,而同时期(幕府晚期,也叫江户时期)的日本漆工艺产业,在规模与技术上,已经明显超越中国。在京师和东南、湖广地区,“倭制”漆器已成为漆器市场上最时髦的抢手货。因此,从明代起,大批的中国南方漆器工匠负笈东渡,前往
Late Ming Dynasty and early Qing Dynasty, China lacquer industry center of gravity transferred from Jiangnan to Fujian area, Fuzhou, China lacquer industry center. Why did this shift happen? On the one hand, the lacquer ware industry in the Ming and Qing dynasties tends to be single in variety and technique, while in the same period (Late Shogunate, also known as the Edo period), the Japanese lacquer craft industry, in scale and technology, Has clearly surpassed China. In the capital and southeast, Huguang region, “Japanese system ” lacquer has become the most fashionable lacquer market demand. Therefore, from the Ming Dynasty, a large number of southern Chinese lacquer artisans took the opportunity to go eastward