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本文从凌叔华作品中的四种女性人物形象着手,详细阐述了二十世纪二三十年代社会大潮中女性的各种婚恋心理:渴望爱而无所爱的旧式闺秀;从未爱而麻木的旧式太太;勇敢爱而失败的新式闺秀以及得到爱却失落的新式太太。这四种女性形象的婚恋心理告诉我们:无论是新式女性还是旧式女性,拥有一个理想的家是她们的共同的心愿。如果仅仅将思想局限在这样一个水平上,女性就永远不会走向其真正的解放和独立。
This article begins with the images of four female characters in Ling Shuhua’s works. It elaborates on the various psychology of women in social tide in the 1920s and 1930s: the old lady who longs for love without love; the old-fashioned Wife; a new lady who bravely loves to fail, and a new lady who loves to be lost. These four images of women’s marriage psychology tells us: Whether it is new or old women, having an ideal home is their common wish. If the mind is limited to such a level, women will never move toward their true liberation and independence.