千余年来,气韵生动一直被看作中国绘画创作的最高追求和绘画品评的最高标准,其内涵也在历代画论的不同阐释中演化、丰富。气韵生动既合于宇宙的运化节奏又合于人体的节律感应,既融贯了物(客观物象)我(画家),而又与观者心交,由此,才生发出无限的美感和魅力。 For more than a thousand years, the vivid charm has always been regarded as the highest standard of the highest pursuit of Chinese paintings and the evaluation of paintings. Its connotation has also evolved and been enriched in different interpretations of ancient painting theory. Vivid and vivid both in the rhythm of the universe and the rhythm of the rhythm of the body combined with the rhythm of the body, both the material (objective) I (painter), but also with the heart of the audience, which gave birth to unlimited beauty and beauty charm.