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对于一部影视作品来说,叙事话语或曰蒙太奇镜头语言是否清晰明了、繁简得当、结构有序,具有艺术感染力是决定其好看与否的重要因素,这一点也是当下某些电视剧难以引人入胜的症结之一。王伟国的《电枧剧<江山>的叙事话语研究点滴》,以电视剧《江山》的部分场戏为个案,从蒙太奇镜头语言入手,十分精当地剖析了叙事话语逻辑性对讲述故事、表现主题所起到的作用文章的针对性及可操作价值对中国电视剧在运用镜头语言进行叙事方面具有很强的指导意义。
For a film and television works, narrative discourse or montage lens language is clear, simple, well-organized, with artistic appeal is an important factor in determining its good-looking or not, this is also the moment some of the TV series is hardly attractive One of the crux of the problem. Wang Weiguo’s narrative discourse study of “TV drama” “Jiangshan”, taking part of the scenes of the drama “Country” as a case study, starting from the montage lens language, it analyzes the logic of narrative discourse to narrate the story and the theme The role of the article Targeted and operational value of the Chinese TV series in the use of lens language narrative has a strong guiding significance.