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美术学是一个现代形态的人文学科,是艺术美学及人文学科中重要的一支。美术学的建立及对美术更全面、更深刻地把握,将有助于美术史、论、评三者之间的相互促进和综合研究,将有益于相关边缘学科的创立和探讨,将有利于美术学理论自身的反思与建构。张卫峰在评述邓福星先生主编的《美术学文库》时认为,这是世纪之交美术学研究的重要成果。这套书的十本可分三大部分:从历史的角度来研究美术学;对美术基础原理的研究;美术学研究的边缘地带或与美术学科形成新的交叉学科的研究。内容覆盖面较宽,基本涵括了美术学研究范畴,具有较高学术价值,对于从事美术学研究乃至美术创作的同行大有补益。在即将进入21世纪的今天,美术学这门学科会越来越受到人们的重视。今年是我国油画教育的奠基者周湘(1870——1933)诞辰130周年,也是他创办油画教育事业90周年,为此特刊发王震先生的《要真正认识周湘》一文。抗日战争爆发极大地激发了中国人的民族意识,中国美术家在吁求中国绘画科学化、现代化的同时,也树起了民族化的旗帜。黄宗贤的博士论文认为,抗战时期关于绘画“民族化”问题的论争,在今天仍有启迪和借鉴意义。
Art is a modern form of humanities, art aesthetics and humanities is an important one. The establishment of fine arts and the grasping of the art more comprehensively and profoundly will be of great help to the mutual promotion and comprehensive study of the history, theory and criticism of the art, which will benefit the establishment and exploration of related disciplines and will be beneficial to Reflection and Construction of Art Theory itself. Commenting on the “Art Gallery” edited by Mr. Deng Fuxing, Zhang Weifeng holds the view that this is an important achievement of the study of fine arts at the turn of the century. The book of ten can be divided into three parts: from a historical perspective of the study of fine arts; the basic principles of art research; art research in the marginal zone or with art disciplines to form a new interdisciplinary research. Content coverage is wider, covers the basic areas of art research, with high academic value, engaged in the study of fine arts and even art creation of great benefit. In the 21st century will soon enter the 21st century, the discipline of art will be more and more people’s attention. This year marks the 130th anniversary of the birth of Zhou Xiang (1870-1933), the founder of oil painting education in China. It is also the 90th anniversary of his founding of education in oil painting. This special issue of Mr. Wang Zhen’s article “To Realize Zhou Xiang”. The outbreak of the war of resistance against Japan has greatly inspired the Chinese people’s national consciousness. Chinese artists, while urging the Chinese paintings to be scientific and modern, also set a national banner. According to Huang Zongxian’s doctoral dissertation, the debate on the issue of “nationalization” during the Anti-Japanese War still has enlightenment and referential significance today.