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“矛盾修辞”将两个对立的事物放在一起并使它们发生修辞上的联系。它不是通常意义上的对比,而是使两个本来不可调和的事物所具有的特征相互渗透,相互溶入,通过对两者的综合,用两者的合力营造出一种全新的境界。它不仅在美学方面体现出一种雄健的审美趣味,而且在揭示自然和精神的真相方面表现出一种道德上极端残忍的清醒。作为表现手法,“矛盾修辞”使表现不可表现的内容成为可能;作为思想方法,它把意识活动引向常情常理不能达到的深处;作为创造手段,它开辟了一个充满悖论的统一世界。波德莱尔在其创作中惯常使用“矛盾修辞”。对“矛盾修辞”的探讨可以帮助我们廓清波德莱尔倡导的“深层修辞”某些方面的内涵。同雨果的“美丑对照”原则相比,波德莱尔通过“矛盾修辞”体现出来的美学理念无疑是一种深化和升华,它揭示深度的思想情感或思想情感的深度,凸显生活中固有的不可消解的矛盾和悖论,启发一种观照世事和人心的现代视角。
The “paradoxical rhetoric” puts the two opposite things together and makes them rhetorically connected. It is not the contrast in the usual sense, but the mutual infiltration and mutual infiltration of the features of the two irreconcilable things. Through the combination of the two, a new realm is created by the combination of the two. It not only shows a strong aesthetic taste in the aesthetics but also shows an extremely morally brutally awake in revealing the truth of nature and spirit. As a manifestation, “contradictory rhetoric” makes it possible to express what can not be expressed. As a method of thinking, it leads the consciousness to the depths that can not be reached by common sense. As a means of creation, it opens up a unified world full of paradoxes. Baudelaire used the term “paradoxical rhetoric” in his writing. The discussion of “contradictory rhetoric” can help us to clarify the connotation of some aspects of “deep rhetoric” advocated by Baudelaire. Compared with Hugo’s principle of “beauty and ugliness contrast”, Baudelaire is undoubtedly a kind of deepening and sublimation of aesthetics concept embodied by “contradictory rhetoric”. It reveals the depth of deep thought emotion or thought emotion, The inherent irreconcilable contradictions and paradoxes inspire a modern perspective that looks at the world and the mind.