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以“五四”为开端的中国新文艺,以马克思主义为指导的中国革命文艺,在其发展历程中都有一个从头贯穿的线索,那就是文艺的大众化。在新文艺运动的倡导者和实行者中间,在无产阶级革命文艺队伍内部,文艺要大众化,这是一致的,至于怎样才是大众化,如何实现大众化,则是一个历经反复探索并不断产生争议的问题。赵树理被认为是文艺大众化的一位卓有成就的实践者,他的作品受到热情赞扬,也受到来自不同方向的批评、指责以至于嘲笑;在20世纪50年代以后,他关于
The Chinese new literature and art started with the May Fourth Movement and the Chinese revolutionary literature and art guided by Marxism all have a clue all through the course of their development. That is, the popularization of literature and art. Among the advocates and implementers of the new art movement, the popularization of literature and art within the ranks of the proletarian revolutionary literature and art ranks is consistent. As to what is popular and how to achieve popularization, it is a process of repeated exploration and constant controversy problem. Zhao Shuli is considered an accomplished practitioner of popularization of literature and art. His works are warmly commended and criticized in different directions, accusing him of ridiculing him. After the 1950s,