在写这篇文章之前,我是着实踌躇犹豫的,因为我曾经写过几篇有关工笔画家作品的评论,发现若将工笔画与写意画做一比较,其发挥解读的空间相对要小,尤其对于我这样一个偏重形式创造的人来说。工笔画历经千余年的陶铸,已臻极成熟的样态和境界,其特定的表现形式也已深入人心,似乎非此不能称之为工笔画。工笔画家也必然在此范畴做些许的延展,因此并不容易生发出个人的独特语言并产生多种可能性,恐怕这一点,大多数工笔画家亦深有同感,所以题材的转换变化才能 Before I wrote this article, I was hesitant to hesitate because I once wrote several commentary on the works of painter artists and found that there is relatively little room for interpretation of worksheets and freehand paintings, especially if For a person like me, who is preoccupied with formality. Meticulous painting after more than a thousand years of Tao Zhu, has been very sophisticated style and realm, and its specific forms of expression has been popular among people, it seems that this can not be called a fine brushwork. Therefore, it is not easy for a stroke artist to make a slight extension in this category. Therefore, it is not easy to give birth to his own unique language and produce many kinds of possibilities. Perhaps this is the reason that most artists also feel the same feeling. Therefore,