在所有那些再现性的形式以外,盒子是建筑学语汇中,一个有力的元素,看起来,它能够为那种令人安心的共性,提供可能性。盒子是遮蔽所,它们拥有当下立显的实用价值,使人想起某种神秘的事物,想起居所的保护,想起最初房屋的传说。对一个特定场所的限定,直接把问题引向禁入。建筑学并不把自身肯定成一种解放艺术。与此相反,建筑学创造的乃是隔离。构筑的开始,依其定义,便是隔离。建筑师构筑的并不是共性,他组织出隔离;在物理层面上,他就是在分隔。盒子创造出围合;由此它在强化遮蔽所的概念的同时,又免于成为一 Out of all those forms of reproducibility, the box is a powerful element in the architecture vocabulary, and it appears that it offers the possibility of reassuring commonality. Boxes are sheltered, and they have the practical value of contemporary standing, reminiscent of something mysterious, reminiscent of the shelter, remembered the legend of the original house. The definition of a particular place leads directly to banning. Architecture does not define itself as a liberating art. In contrast, architecture creates isolation. The beginning of construction, according to its definition, is isolation. The architects are not building commonality, he organized the isolation; at the physical level, he is separated. The box creates a confinement; whereby it, while reinforcing the concept of shelter, is protected from becoming one