1980年,何多苓那幅《春风已经苏醒》用细腻的情感打动了无数人,随之而来的各种阐释早已超出了创作者的初衷。对此,何多苓说,观众怎么看,这是他们的权利。如今30年过去了,曾经那些伤痕早已成为尘封的往事。当乡土不在,城市日益侵入人们生活的时候,这些新的景观如何触动着曾经的画家? In 1980, He Duoling that piece of “Spring has been awakened,” with countless emotions touched countless people, followed by a variety of interpretations beyond the original intention of the creators. In this regard, He Duoling said the audience how to see, this is their right. Now 30 years have passed, and those scars have long become a dusty past. How do these new landscapes touch the former painters when the local territory is not there and the cities are increasingly invading people’s lives?