本文从《水浒传》上梁山入手 ,论述了明清几部奇书都把故事环境置于一个“诗意栖居地”中 ,从而使作品的主题深入到人类精神的最深处。作品运用“寓意———反讽”的表现手法 ,通过对小说人物行为的否定 ,继尔否定了“诗意栖居地”的存在 ,这正是这几部伟大文学作品所提示的深刻主题 :通向天国的路已经阻断。作品无论在艺术还是思想方面 ,都为中国文学和世界文学书写了辉煌的篇章 This article starts with Liangshan from Outlaws of the Marsh, and discusses that several famous books in Ming and Qing Dynasties place the story environment in a poetic dwelling place, so that the theme of the work can be deepened to the deepest part of human spirit. By using the expression technique of “Allegory --- Irony”, his work negates the existence of “poetic dwelling place” through the negation of the characters in novels, which is the profound theme that these great literary works suggest: The road to heaven has been blocked. Works both in art and thought, both for the Chinese literature and world literature, wrote a brilliant chapter