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在最新个展“女娲创业园”中,梁硕给观众铺好一条黏土制成的环形小径。以小径为基座,圆雕、浮雕和高浮雕结合并用,派生出许多“城雕式”的雕塑作品。按着设定的方向行走,观众仿佛置身于移步换景的中式园林,又能像在庙宇内欣赏壁画那样,“阅读”女娲从造人到补天的故事。墙面上残留着艺术家用黏土和着水绘画的山水风景,模糊不清,也非精心勾勒而成,静静地倒映在泥路周围不甚清澈的浅水之中。雕塑的废料和工具被丢在入
In the latest solo exhibition “Nu Wa Pioneer Park”, Liang Shuo paved the audience a circular path made of clay. Based on the footpath, a combination of round sculptures, relief sculptures and high reliefs derives many sculptures of “City Sculpture”. According to the set direction of walking, the audience seems to be in the step-by-step landscape of the Chinese garden, but also like watching the murals in the temple as, “Reading ” Nu Wa from make man to make up the sky story. The wall still contains the artist’s landscape of clay and water painting, blurred and unscrupulous, quietly reflected in the less clear, shallow waters around the dirt road. Scrap and tools for sculpture are thrown into