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我国现代词学中的词意论,主要体现在三个维面:一是对词作之本“意内言外”论的标树;二是对词意表现特征与要求的探讨;三是对创作运行与意致呈现关系的考察。其中,在第二个维面,主要包括词意表现新颖独创论、含蓄深致论、真实自然论、圆融浑成论、不可取巧论及精粹凝炼论;在第三个维面,词论家将言为意用、笔为意用、意随辞转的创作原则极致地张扬了开来。现代词论家们从不同视点与程度上或承衍、或充实、或深化、或创新了古典词意论的内涵,完善了传统词意论的建构。
The word meanings in modern Chinese Ci-poetry are mainly embodied in three dimensions: one is the subject of the word “meaning inside and outside ”; the second is the discussion of the characteristics and requirements of the word meaning performance; The third is the investigation of the relationship between the creative operation and the intention. Among them, in the second dimension, it mainly includes the meaning of novelty creation, implicitness theory, real nature theory, roundedness theory, disinterested theory and essence condensed theory; in the third dimension, On the premise that the argumentative use of pens and pens as their meanings, the author’s principle of creative writing is the ultimate expression of openness. Modern philosophers, from different perspectives and degrees, inherit or enrich, deepen, or innovate the connotation of classical word meanings and perfect the construction of traditional word meanings.