格非“江南三部曲”提供了一种不同于中国近代以来“现实主义”传统的“现实感”。就每部作品来看,其对历史事件、人物命运往往采取“虚实相应”的处理方式;作为一个整体,“三部曲”复现了从“乌托邦”到“现实”的过程,这是通过叙事节奏的变化,以及关于爱情阶段性的隐喻得以实现的。在面对格非小说“现实”转向时,也应注意其与中国古典文学传统及“现代性”之间的关联,并从作家、世界观与作品关联的角度深入,而不应只局限于作品与现实之间的直接对应关系之上。 Gefei “Jiangnan Trilogy” provides a “realistic sense ” different from the traditional “realism” in modern China. From the point of view of each piece of works, it often adopts the treatment of “fictitious and real” corresponding to the historical events and the fate of the characters. As a whole, “trilogy” reproduces the reality from “Utopia” to “reality” “Process, which is achieved through the change of narrative rhythm and the stage metaphor of love. In the face of Gefei’s novel ”Reality “, attention should also be paid to its connection with Chinese classical literary tradition and ”modernity ", and from the perspective of the association of writers and world view with the works, It is limited to the direct correspondence between works and reality.