对于京剧胡琴的“花过门”,历来就有争议。赞成者道其脱俗动听,甚至情不自禁为之击节;反对者嫌其卖弄技巧,甚至破坏舞台气氛。这个问题实有必要进一步探讨。京剧唱腔属板腔体音乐。通过演唱、演奏者的技巧,使相似的旋律表现全然不同的思想感情,或者全然不同的唱腔、过门反映大抵相似的内心世界,都是常有的事。举例来说,《苏三起解》、《四郎探母》和《蝶恋花》三剧在旦角[西皮慢板]唱段中,都用过基本相似的“下把”花过门,但很难看出蒙冤、受屈沦为囚犯的苏三、养尊处优安居深宫的铁镜公主和无产阶级英雄人物杨开慧同志,在分别唱出“想起了当年事好不伤情”、“猜一猜驸马爷腹内机关”和“传捷报赣水风雷雷阵阵”时的伤情、猜疑和豪情有什么共通之处。另方面,周信芳 There has always been controversy over the “flower gate” of the violin in Beijing Opera. Proponents of its wonderful, or even can not help but hit the festival; opponents too showmanship trick, and even undermine the stage atmosphere. This issue really needs to be further explored. Peking Opera chamber plate cavity music. It is not unusual for singers and performers to make similar melodies express totally different thoughts and feelings, or totally different aria, and to go through the door to reflect similar inner worlds. For example, “Su Sanqi solution”, “Si Lang exploration of mother” and “Butterfly Love Flower” three plays in the Cape Corner [Sipi Adagio] aria, have used the basic similar “off” spent the door, but it is difficult to see Comrade Yang Sanghui, Princess Iron Princess and the hero of the proletariat, pampered and resigned as Prisoners were singled out, “Singing Out” “Biography of Geng water thunder and lightning array,” when the injury, suspicion and pride there is nothing in common. On the other hand, Zhou Xinfang