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随着我国城市化进程的加快,城乡之间的差距日渐缩小。城市文明对乡村文明产生了巨大的影响。在这种影响下,各少数民族传统民俗舞蹈也经历着从乡村民俗广场舞蹈的“游艺性”到城市剧场舞蹈“演艺性”的功能和形态的转变。本文试以傣族孟连宣抚礼仪乐舞为例,解析孟连地区傣族传统民俗舞蹈“剧场化”形态的嬗变。
As the process of urbanization in our country accelerates, the gap between urban and rural areas shrinks. Urban civilization has had a huge impact on rural civilization. Under this kind of influence, the traditional folk dances of ethnic minorities also experienced the transition from the “amusement” of the folklore folklore square dance to the function and form of urban theater dance “performing arts ”. This article tries to take the Dai people Meng Xuan Xuanfu etiquette music and dance as an example, analyzes the Meng nationality area Dai traditional folk dance “theater ” the transmutation of form.