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《俏花旦》是中国近年来群体舞蹈艺术表演中的翘楚,自从登上了春节晚会的舞台,就在国内外受到了观众和业内人士的普遍认可与赞赏。本文以《俏花旦》对传统戏剧文化花旦形象的艺术继承与创新为切入点,从多重角度分析戏剧舞台上花旦的历史溯源和艺术特色,并通过比较,对《俏花旦》在创作中对中国传统戏剧表演艺术的学习与创新进行简析,以期从中进一步论证不同的舞台表演形式可以通过内在的联系而得到链接,使中国的古典文化与现代文化能够
Qiao Dan Dan is a leader in the performance of group dance art in China in recent years. Since its debut on the Spring Festival Gala, it has been widely recognized and appreciated both at home and abroad by audiences and industry insiders. This article takes Qiao Dan Dan as an example of the artistic inheritance and innovation of the image of the traditional drama culture, from the multiple perspectives to analyze the historical origin and artistic features of Hua Dan in the drama stage. By comparison, The traditional theater performing arts learning and innovation are analyzed in order to further demonstrate that different forms of theatrical performances can be linked through internal links to enable China’s classical culture and modern culture to