发生并形成于清朝末年即十九世纪末二十世纪初的中国戏剧理论思潮以传统戏剧为对象,以“戏剧改良”为号召,以改造和重建本土戏剧为指归。这是中国戏剧自金元杂剧的理论之创立、明代传奇的理论之再造、清代戏剧理论由“雅部”向“花部”的转向等之后的又一次大规模的戏剧变革的理 Occurred and formed in the late Qing Dynasty that is late nineteenth Century early twentieth Century trend of Chinese theater theory to traditional drama as the object, with “dramatic improvement” as the call, to rebuild and rebuild the local drama as a guide. This is another large scale drama change after the shift of “YaBa” to “Huabe” from the establishment of the theory of Chinese drama from the Jinyuan Zaju, the reengineering of the legendary Ming Dynasty,