原刊载在2012年7月《十月》杂志上惟诚的小说《黑白阿母》,是以洋楼的新娶媳妇梁晓团的视角,刻画了自己婆婆吴美婵的传奇一生,同时也探索出谢家四代人的简史。《黑白阿母》这篇小说整体上感觉城市气息很浓,作者在对于时间、空间和人物之间的处理很得当,在几个关键的事件和场景的处理上也非常得当,在场景转换中,历史与现代的交换中做到不使人有凌乱感,而且在事件中突出了人物的性格,历史与现代的跨度,人物和人物的生活中的琐事在这篇不长的中篇小说中都能很妥当地处理,而且包含着丰富的内容。《黑白阿母》采用的叙事角度是第三人称限制性叙事,小说中的“我”显然只是一个故事的叙事者,小 Originally published in the July 2012 issue of “Magazine”, the only novel, “Black and White Aramo”, depicts the legendary life of his own mother-in-law, Wu Mei Chan, from the perspective of Liang Xietuan, the newly married daughter-in- A brief history of four generations. As a whole, the novel “Black and White Mommy” feels very rich in city atmosphere. The author is very suitable for dealing with time, space and characters, and is also very appropriate in the handling of several key events and scenes. During the scene transition , The exchange between history and modernity did not make people have a mess, but also in the incident highlighted the character’s character, the span of history and modernity, the trivia of the life of characters and figures in this not-long novella Can be properly handled, but also contains a wealth of content. The angle of narration adopted by “The Black and White Amoy” is the restrictive narration of the third person. The “I” in the novel is obviously only the narrator of a story, small