苏联的书籍插图艺术有着自己的优秀传统.进入六十年代,在报刊杂志上,在画家工作室,在出版社里,在美展的审评会上……都在进行着有关书籍插图能否存在下去的激烈争论.人们对于书的艺术设计,对于在严谨而实用的基础上的艺术装帧所具有的高于往常的兴趣是很典型的,那时人们没有滥用一些关于书籍插图的评价——说她已变得陈旧过时,已尼死亡了.各种各样的原因,导致了这种情况的出现:既有社会上的原因——读者的文化程度提高了,不再需要“提示”或“指点”了;又有经济上的原因 In the 1960s, in the newspapers and magazines, in the painter’s studio, in the publishing house, at the review meeting of the exhibition of fine arts, the books and magazines of the Soviet Union had their own fine traditions. It is typical of the art of book design to have a higher than usual interest in artistic binding on a rigorous and practical basis, when people did not abuse some of the commentary on book illustrations - She had become obsolete and had died .A variety of reasons led to the emergence of such a situation: for both social reasons - the reader’s literacy had risen and she no longer needed “tips” Or “pointing ”; another economic reasons