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现代民族歌剧《野火春风斗古城》是新世纪以来最成功的一部中国民族歌剧,它在中国传统文化中深入挖掘其精髓,弘扬主旋律与提倡多元化并重,是新时期歌剧创作的精彩典范。本文以现代民族歌剧《野火春风斗古城》主角银环的5个唱段为主,对银环角色的塑造进行音乐上的分析。主要从作品的前奏、演唱形式、音乐发展手法、演唱处理以及钢琴伴奏的配合,等诸多方面进行细致的研究,力图客观真实的贴近作曲家所刻画的银环角色形象;对银环角色的塑造进行研究,以求对作品更深层次的理解,这种角色塑造的研究方法对广大声乐学习者,研究人物角色也有着借鉴和参考的作用。
Modern Chinese Opera “Wild Fire Spring City” is the most successful Chinese national opera ever since the new century. It digs its quintessence, advocates the theme and advocates diversification equally in Chinese traditional culture. It is a wonderful example of opera creation in the new era. This essay takes the five ariaes of the silver ring of the protagonist of the ancient national opera “Wild Fire and Spring City” as the main theme, and makes a musical analysis of the shaping of the silver ring. Mainly from the works of prelude, form of singing, music development practices, singing and piano accompaniment, and many other aspects of the meticulous research, and strive to be objective and true close to the composer portraying the image of the role of silver ring; Carry on the research in order to understand the work more deeply, and this method of shaping the character also has reference and reference for the vocal learners and researchers characters.