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1992年11月,在广州文化公园举行的第二届全国插花展览中,摆设在7馆展区入口处的较大型的插花作品“流光溢彩”,色彩艳丽,构图别致,有现代的装饰效果,又不失传统的韵味,很能吸引参观者。 “流光溢彩”是由地上瓶插和壁挂墙饰组合构成,互为映照衬托。 瓶插是以传统的中国式插法为基调,再渲染现代色彩。以乳白色的编织藤萝作为瓶插器皿,藤萝背后饰以平行的,长短不一的深褐色松树皮,就象天空中片片云层,正好把乳白色的藤萝托出,在色彩上形成鲜明的对比。深褐色的松皮上以聚散手法缀上洒金
In November 1992, at the 2nd National Flower Arrangement Exhibition held in Guangzhou Cultural Park, the larger flower arrangement “Ambilight”, which was placed at the entrance of Hall 7, was colorful and chic with a modern decorative effect. Without losing the traditional flavor, it is able to attract visitors. “Ambilight” is composed of a combination of wall vases and wall hangings, each reflecting against each other. Bottle insert is based on the traditional Chinese-style interpolation, and then render the modern color. To milky woven rattan as bottle containers, vine vines are decorated with parallel to the depth of the dark brown pine bark, like the clouds in the sky piece, just put the white ivory vine out, in sharp contrast in color. Sequined on the dark brown loose hand sprinkled gold