我们今天所面临的文化情境与’85已经大不相同了。如果说在’85时期,艺术家们主要突出的是反传统的价值观,那么,现在出现的一个趋向恰恰突出的是努力与传统再联结的价值观。于是,开始有一大批艺术家用油面的方式画传统山水与花鸟。这当然是好事,因为它清楚地表明:已经有很多艺术家意识到了“中国性”建构的本土价值,并正在努力回到自身的语境当中。但 The cultural situation we face today is quite different from ’85. If, during the ’85 period, the artists focused primarily on anti-traditional values, one of the trends that emerged now was precisely the value of reconnecting with tradition. As a result, a large number of artists began to draw traditional landscapes and flowers and birds in the manner of oil. This is a good thing, of course, because it clearly shows that many artists have realized the local value of the construction of “Chinaness” and are trying to get back to their own contexts. but