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中国音乐发展之路争论的实质是坚守“传统”？还是与时俱进，走向现代？间题的焦点是：一、否坚持开放立场；二、是否坚持“现代性”立场；三、是否坚持民族特色；四、如何对待我国同方的视听欣赏习惯和审美标准的差异；五、如何看待“中酉融合”？ 目前的中国处于一个重要社会转型期，就是从传统国家转变为现代国家;其艺术，也必将从传统形态到现代形态转型。国音乐必须借鉴酉方的观念和形式技法，给民族青乐注入新鲜血液，使其更具现代形态。只有持自己独立的民族文化品格，进行“中西融合”、“多样化选择”，与时俱迸，这才是社会转型期中音乐发展的正确道路。
The essence of the controversy in the development of Chinese music is to stick to the “tradition”? Or advancing with the times, toward the modern? The focus of the questions is: First, whether or not to adhere to the open position; Second, whether to uphold the “modernity” position; Third, whether to uphold national characteristics; Fourth, how to treat China’s Tongfang audio-visual appreciation habits and aesthetic standards differences; “Central unitary integration”? At present, China is in an important social transition period, that is, it has transformed itself from a traditional country into a modern one. Its art is bound to transform from a traditional form to a modern one. National music must draw on the concepts and techniques of the Western nations and inject fresh blood into the national youth music to make it more modern. Only when we hold our own independent national culture and conduct “integration of Chinese and Western cultures” and “diversification of choices” will keep pace with the times. This is the right path for the development of music in the period of social transformation.